La Kibbutz Contemporary Dance Company était récemment au Théâtre de Paris. Présentation de ce magnifique spectacle : « Dans sa dernière création, Rami Be’er se confronte à l’une des questions actuelles brulantes de l’actualité à travers le monde : celle du statut de réfugié, de l’immigration, du sort des demandeurs d’asile. Le chorégraphe aborde le thème d’un point de vue existentiel, soulevant des questions qui examinent les concepts profonds de l’immigration tels que : la patrie, l’identité, l’appartenance, la notion d’étranger, le désir et le foyer. Rami Be’er nous offre à nouveau une oeuvre d’une force exceptionnelle et nous invite à la réflexion sur ce thème brulant ».
Le théâtre de Paris est une salle de spectacles parisienne située 15, rue Blanche, dans le 9e arrondissement. Il abrite une deuxième salle plus petite, la salle Réjane, anciennement appelée le Petit Théâtre de Paris.
LE PLUS. (Source : https://www.kcdc.co.il/en/artistic-director/)
Artistic Director, Rami Be’er
Born in 1957 to a family of Holocaust survivors, Rami Be’er, is the Artistic Director of Kibbutz Contemporary Dance Company. His parents immigrated to Israel in 1948 with the group that founded Kibbutz Ga’aton. Be’er grew up in a home filled with culture, literature, architecture, sculpture, painting, poetry and music. His father, an architect by profession and an amateur violinist, introduced music studies to Be’er and his three sisters from a very young age, and even formed a chamber orchestra with his children, in which the young Be’er played the cello. His mother’s family owned Dante, a large publishing business in Hungary before World War II.
Be’er was educated in the collective system of Kibbutz Ga’aton. In his youth he studied dance at the Ga’aton dance studio, played the cello, and was a youth leader in Hashomer Hatsa’ir. In 1977 before his recruitment he was accepted to an army troupe as a dancer, but preferred to volunteer for the HQ Commando Unit and served as a combat soldier. At the end of his mandatory service, he continued to serve as a reserves combat soldier in his Unit for many years, and participated in military operations including the First Lebanon War. On his discharge in 1980, Be’er joined the Kibbutz Contemporary Dance Company as a dancer, and shortly thereafter, as choreographer.
In 1987 he was appointed the House Choreographer and Assistant Artistic Director of the Kibbutz Contemporary Dance Company.
In 1994 Be’er initiated the formation of the Second Company of Kibbutz Contemporary Dance Company (KCDC 2) with the intention to establish a company appearing before children, teens, and families, and to nurture the future dancers of KCDC’s main company. His works for children, that have become classics over the years, include the The Carnival of the Animals to the music of Camille Saint-Saëns (a work in which he collaborated with the late Ehud Manor z”l, who wrote the special text), Peter and the Wolf to the music of Prokofiev, the Young Person’s Guide to the Orchestra, and The Sorcerer’s Apprentice. Tens of thousands of children and young people have been exposed to this fantastic dance experience over recent decades.
Upon the retirement of Yehudit Arnon in 1996 Be’er was appointed the Company’s Artistic Director. Rami first studied dance with Yehudit as a child, who was his mentor for many years as a pupil, young dancer and creative artist. They shared a special and inspiring bond. Over the years Rami continued to develop Yehudit Arnon’s vision and made Kibbutz Contemporary Dance Company and the Int’l Dance Village leading examples of excellence in their field, worldwide.
The establishment of the International Dance Village in Ga’aton, under the artistic direction of Rami Be’er, was officially announced in 2006. Since then it has become a magnet for dancers and creative artists from all over the world. At the forefront of its activity is Kibbutz Contemporary Dance Company, which offers a rich variety of educational and training courses for professional dancers, and activities for the general public, including special populations, youth at risk, the Arab sector, etc.
Over the years, Be’er has developed a unique multi-disciplinary language, which combines movement with stage design, lighting and costumes. As a holistic creative artist, Be’er deals with all aspects of the artistic work – content, form and design. His work invites the viewer to join a journey in which he can discover himself. True, Be’er’s work presents an imaginary world, but the audience is free to interpret it through their personal experience.
Altogether, Rami has created over 50 works of dance, mostly full length, providing a full evening of dance, for adults and children. His works have received international acclaim and recognition as he’s won numerous awards and medals of appreciation both in Israel and overseas. Under his artistic direction, KCDC has received high praise from critics and audiences alike, and serves as an international cultural ambassador for Israel.
Amongs the companies for which Be’er has created original works are Gratz Opera Ballet (Austria), Batsheva Dance Company (Israel), Hungarian National Ballet, New Danish Dance Theatre (Denmark), Staatsballett Berlin (Germany), Croatian National Ballet Theatre, Reykjavik National Ballet (Iceland), Tanzcompagnie Oldenburg (Germany), Ballett Basel (Switzerland), Poznan Opera House Ballet (Poland), National Theatre Ballet Brno (Czech Republic) and more.
Many academic papers in Israel and worldwide, MA papers and PhD theses have been written about Be’er’s artistic creations.
Achievements and awards
1981 Awarded a special grant from the America Israel Foundation for Jacob’s Pillow Festival, USA.
1984 Won first prize in the Gertrude Kraus Choreography Competition for his work “Death comes to the wooden horse Michael”.
1986 Awarded the Yair Shapira Prize for his contribution to Israeli dance.
1986 Awarded a grant for studying a choreography course at the University of Surrey, Guilford, England.
1987 Appointed House Choreographer and Assistant Artistic Director of KCDC
1987 Invited to choreograph “Viewpoint” for the Bat Sheva Company.
1990 Invited to work on “Frenzy” for the Hungarian Ballet.
1993 Invited to work on “Naked City” for the Ballet Opera in Graz, Austria.
1993 Invited to create work for the New Danish Theater, for which he was awarded the Copenhagen Prize.
1996 Appointed Artistic Director of Kibbutz Contemporary Dance Company
2003 Invited by the Berlin Opera to present his highly acclaimed work “Screen Saver”.
2003 Invited by Croatia Ballet, the National Theater in Split, to present his work “Casson”.
2004 Invited by Reykjavik Dance Company, Iceland, to present “Screen Saver” and wins a prize for the work in Iceland.
2004 Wins the dance section of the Mifal Hapayis Landau Prize for the Performing Arts.
2005 Wins the Rosenbloom Prize for the Performing Arts – Tel Aviv Municipality.
2005 Invited to create “With your eyes” for Nordwest in Germany, a joint project for two dance companies from Oldenburg and Bremen.
2009 Invited to create work for the Basel Ballet in Switzerland – “One two… move” premiered in October 2009.
2010 Creates “Kibbutz 360”, an interactive performance for young people, that has been performed hundreds of times in educational frameworks in Israel and overseas.
2010 Invited to create work for the Split Ballet in Croatia, and wins the Split Dance Prize for the work.
2011 Invited to create work for the Poznan Ballet in Poland and the Brno Ballet in the Czech Republic, and his work “Mottola” wins a special prize.
2011 Invited to stage his work “Casson” in the Brno National Theater, Czech Republic.
2015 Invited to collaborate with the Movimentos Festival in Germany on staging the work “Lullaby for Bach/ Blackout”.